MEGAN REDFERN

CREATIVE PRACTICE

Performance poet. A member of the performance trio, the Bodgie Bards. A member of the winning Queensland Poetry State of Origin team, Troppo Verso. Two published works - Tales my mother never told me and Performing Bare. Published in a variety of magazines.

Editor of poetry from Boggo Road prison - In the Vegetable Garden but Don't Look Under the Cabbage - and from sexual abuse survivors from Toowoomba and the Darling Downs - The Secret is Out. Writing coordinator for Carer's Australia - Stories from the Heart - carer's writing project (2008).

Winner of a Qld government grant to produce a one woman show 1996.

Currently a presenter on community radio 2CBD.

CONTACT 

Mobile: 0409 100 956
Email: megan.redfern@yahoo.com

Siobhan O'Hanlon

Siobhan O'Hanlon

Artist statement:

I love creating things, and silver is such a beautiful medium to work with. I tend not to begin with designs, but find a stone that I love, or something in nature that I’m inspired by, and kind of make things up as I go. This, combined with the hand-forged nature of my work, means that no two pieces of jewellery are the same. Wherever possible, my jewellery is made with recycled and sustainable materials and techniques.

Creative practice:

Silversmith and jewellery maker

Recognition:

I am a scientist and teacher by training, having earned my PhD in biology in 2015, and my Masters of Teaching in 2020.
I attended Silversmith classes at SquarePeg Studios in Marrickville, Sydney, for 2 years and when I moved to Armidale, continued my learning under the guidance of and through many a workshop with Richard Moon at the Maker’s Shed, Glen Innes.
In late 2022, I won an Arts North West grant to go towards materials for a new range of jewellery, which I’m currently working on.

Contact:
Siobhan O'Hanlon

Email: shop@bonniedeedesigns.com

Social media - @bonniedeedesigns
Website - www.bonniedeedesigns.com

LGA: Armidale Regional

Isabelle Devos

Isabelle Devos

BIO

Isabelle Devos is a contemporary painter whose landscape paintings capture a quiet yet strong sense of place and mood. 

The paintings explore scenes where people have shaped the landscape and a story is waiting to unfold.

 “I simplify what I see to its essence of form, light and colour, creating a glimpse into a hidden story that exists beneath a serene surface.”

CONTACT 

Mobile: 0427 758 229
Email: isabelledevosart@gmail.com
Website: www.isabelledevos.com.au 
Instagram: @isabelledevosart
Facebook: Isabelle Devos Art

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CV

Solo Exhibitions

2022   ‘While Standing In One Place’ ARO Gallery, Frances Keevil, Sydney NSW

2019   ‘An Uncertain Stillness’, Frances Keevil Gallery, Sydney NSW

2017   ‘A Distant Summer’, Frances Keevil Gallery, Sydney NSW

2016   ‘Where the Road May Take You’, Gallery 126, Armidale NSW

2016   ‘Townscapes’, Weswal Gallery, Tamworth NSW

2015   ‘The Wait for Evening’, Frances Keevil Gallery, Sydney NSW

2013   ‘Calm Before the Storm', New England Regional Art Museum, NSW

2011    ‘From There to Here, Gallery 126, Armidale NSW

2008   'On A Clear Day’, New England Regional Art Museum, Armidale NSW

2006   ‘A Sense of Quiet', Gallery 126, Armidale NSW

2003   ‘Insecurities Project', Struts Gallery, Sackville NB Canada

1997   ‘New Paintings, Gallery 96, Stratford ON Canada

Selected Group Exhibitions

2023 ‘Through the Eyes of Strangers’, New England Regional Art Museum, NSW

2022 ‘Reflections’, Frances Keevil, Sydney NSW

2022 ‘Through Our Eyes’ Incinerator Art Space, Sydney NSW

2022 ‘Artists to Watch’, Lethbridge Gallery, Brisbane QLD

2020 ‘The New England Landscape, New England Regional Art Museum, NSW

2020 ‘The Panorama Project’, sketch book project touring regional libraries. Curated by Arts North West NSW

2019 ‘Everything is Gonna Be Fine’, Art Bank Collection, NB Canada

2016 ‘The Mother Art is Architecture’, Frances Keevil, Sydney NSW

2013 ‘Ode to Olley’, New England Regional Art Museum, Armidale NSW

2016 ‘The Drawing Project', Gallery 126, Armidale NSW

2009 ‘A New England View’, New England Regional Art Museum, NSW

Prizes

2023 Lethbridge Landscape Art Prize, Finalist

2023 Glover Landscape Art Prize, Finalist

2022 Paddington Art Prize, Finalist

2021 Lethbridge 20000 Art Prize, Finalist, Highly Commended

2014 Calleen Art Award, Finalist

2012 Norvill Art Prize, Finalist, High Commended

2010 Armidale Art Prize, Winner, Still Life Award

2011, Country Energy $35,000 Landscape Art Prize, Finalist

2009 Country Energy $35,000 Landscape Art Prize Finalist

2009 Warwick Art Prize, Finalist, Highly Commended

2009 Tattersalls QLD Art Prize, Finalist

2008 Norvill Art Prize, Finalist, Winner, Unpacker Prize

2008 Stanthorpe Art Prize, Finalist

2007 Muswellbrook Art Prize, Finalist, Highly Commended

2006 Australian Artist Magazine Landscape Art Prize

2005 Country Energy $35,000 Landscape Art Prize, Finalist, Highly Commended

Education, Residencies, Public Commissions, Grants and Awards

2021 Artist Residency with David Keeling, Tasmania -1 week

2020 Gunyah Artist Residency, with writer Helena Pastor, NSW- 2 weeks

2020 Helen Dangar Memorial Art Bursary, New England Regional Art Museum

2020 Artist Grant, Arts North West, NSW

2018 Commission: Boilerhouse painting, University of New England, NSW

2016 Putting the Pieces Together, workshop artist, Arts North West, NSW

2009-22 National Association of Visual Arts, member artist

2003 Artist Grant, Canada Council for the Arts: Insecurities Project, Canada and Artist Grant from New Brunswick Arts

1998 Artist Grant, Canada Council for the Arts: Landed Immigrant Seeks Landscape, and Artist Grant from New Brunswick Arts

1991 Bachelor of Fine Arts, Mount Allison University, Canada

Publications & Media

2012 poster design for Sydney Theatre Company, ‘In A Heartbeat’

2011 Artist Profile, FOCUS magazine, July issue, New England NSW

2010 ‘Kangaroo: Portrait of an Extraordinary Marsupial, by Jackson and Vernes, publisher Allen+Unwin, multiple chapter illustrations

2006 Geist Magazine, issue 58, ‘Findings: The Insecurities Project’

2003 CNN Interview, ‘The New Insecurity’, National News

2002 BBC International Radio, ‘The World’: The Insecurities Project

2002 New York Times, newspaper, ‘Airport Security and Art’

2002 Vogue, (Italian) Five Female Conceptual Artists - Insecurities Project

1998 Arts Atlantic Magazine, ‘A Performance in Three Stories’, Performance Art

Public Collections

State Library of NSW, Sydney NSW (2021)

University of New England, Armidale NSW (2018)

Galerie d’Art Université de Moncton, Canada (2004)

Art Bank Collection, NB, Canada (2002)

Anchorage Press, Jolicure NB Canada (1998)

Janna Hayes

Janna Hayes

BIO & CREATIVE PRACTICE

Janna is an emerging artist based in the Northern Tablelands of New South Wales. Her work consists of large, expressive landscapes and abstract pieces. Janna's practice examines the relationship individuals have with nature and the way in which we turn to specific landscapes for solace, grounding and rejuvenation. Our identity is tied to a certain place as we develop our sense of self against that set landscape. As we move through life it is this same environment to which we return to draw , inspiration, hope and energy. Painted primarily in bitumen and oil paint on paper, Janna's work reflects a deeply personal journey of moving through grief in a foreign landscape and learning to challenge one's own self-narrative in order to find beauty and connection in the unfamiliar.
Janna's debut show "This Will Be The Place" opens at Weswal Gallery in Tamworth, 17 May 2023.

ARTIST STATEMENT

Throughout drought, bushfires and the recent pandemic I have considered what it is to seek solace in a landscape starkly different from the one in which your idea of self lives. The process of finding oneself in and seeking connection to a new environment is profound because it impacts upon our very idea of who we are. Adapting that idea or that belief in oneself can be a confronting experience. In my current practice I am wrestling with the bittersweet process of doing just this. I endeavour to convey the kaleidoscope of beauty, strength, fragility and grief that nature reflects back at those who bathe. In 2018 I moved my young family to Armidale in regional New South Wales, Anaiwan country. Having lived my life by the ocean, the move to a landscape raked dry by drought, high up on the Northern tablelands where frosts continue into November came as a shock. For months we lived with the count-down to day zero, anxiously counting every drop of water. The drought was followed by bushfires, at times all 3 roads out of town blocked. The dry land burning up. The smoke was so thick in town you had to turn your headlights on at midday. And then came the pandemic. Like many Australians I faced these crises at the same time as trying to live a life and raise a family. We lost a dear friend to cancer, my Dad was diagnosed with emphysema and my brother developed PTSD after making it out of a mine collapse alive. I turned to nature, hiking the surrounding national parks to find solace. I climbed Cathedral Rock, explored the ancient Gondwana forests in New England National Park and found a personal place of peace in Gara Gorge to return to time and time again. To find this solace, I had to overcome my own firmly held personal narrative of being someone bound to the ocean and the tropics. I had to let go of my own idea of self in a process I found to be confronting but ultimately rewarding. In expanding my own personal narrative and developing a relationship with a new landscape I connected with something greater. Ultimately oneness can be found in any place... but it must be sought. It is this deeply personal, yet universal relationship with our natural world that I aim to represent in my landscapes.

AWARDS & GRANTS

Bendemeer Art Prize | Winner, Major Art Prize - April 2023
Arts North West | Microgrant (professional development) - October 2022
Armidale Art Show | 2nd Place "Blue Bottle" Acrylic on canvas - Summer 2021

CONTACT

Janna Hayes
janna.hayes@icloud.com
0428 408 179
@jannahayesart

Leah Bullen

Leah Bullen

CREATIVE PRACTICE

Visual artist working across painting, printmaking, drawing and mixed media

ARTIST STATEMENT

My painting practice is centred around the representation and mediation of the natural world. Currently, my work is concerned with representing locations that reconstruct nature, such as gardens, aquariums, and museum displays. These locations act as a model through which I explore how we experience and consume the spectacle of nature more broadly within contemporary culture.

BIO

I completed a Bachelor of Visual Arts (Honours) and a Doctor of Philosophy, Creative Arts, at the School of Art & Design at the Australian National University in Canberra. I have worked extensively in arts education as a lecturer at the School of Art and Design from 2008-2016 in the Painting Workshop. Currently I work as a freelance arts teacher across the public and private sector.

In 2021, I won the Stanthorpe Art Prize and The Pring Memorial Prize as part of the Wynne Prize. In 2016, I won the Trustees’ Watercolour Prize in the Wynne Prize. I have been a selected finalist in art prizes such as the Mosman Art Prize, the Hazelhurst Art on Paper Award, McClelland Watercolour Prize, the Elaine Bermingham Watercolour Prize, Flowing Water: Taoyuan International Watercolour Biennial (Taiwan), and the Fabriano International Watercolour Biennial (Italy).

Across my career, I have exhibited work in artist-run-initiatives as well as commercial and public art galleries around Australia and internationally. I have undertaken artist residencies at the Bundanon Trust, Hill End Artist Residency Program, Hazelhurst Arts Centre, The Old School Mount Wilson, the Australian National University and the Universidad Politécnica de Valencia, Valencia, Spain. In 2016, I became a member of the Australian Watercolour Institute and an Artist Ambassador for Winsor and Newton Australia.

CONTACT

0402 037 345
leah@leahbullen.com

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Jo-Anne Barr

Jo-Anne Barr
JAMB Hats and Millinery

CREATIVE PRACTICE

Millinery – structured felt hats, wet felt hats, straw hats, sinamay hats and fascinators

ARTIST STATEMENT

I have had a passion for textiles from a very early age, learning dressmaking from my grandmother when I was 12. I consider myself a ‘fibre junkie’ and love to experiment and work with a large selection of fibres. I create hats and fascinators from a wide range of fibres including, superfine merino, alpaca, crossbred merino, banana leaf, silk, cotton, merino blends including merino and silk, paper, a range of straws. I make a range of hat accessories including changeable hat bands to jaze up your hat and macreame hat hangers. I have also explored upcycling pre loved, unloved and vintage hats, whereby I re-block them, and trim them with vintage belts and broches where possible.

One of my many occupations over the year has been a teacher as a result I enjoy sharing my skills and passion and teach wet felted cloche style hats to eager members of local communities.

Hats are my passion, I love to wear them and make them and often struggle to part with them.

BIO

I have a Bachelor of Applied Science in Textiles and Food.

I have undertaken a series of short millinery courses both in person and via zoom from milliners around the world.

A lot of millinery skills are from trial and error and hands on experimentation, applying my science background and understanding of textile fibres and how they behave

CONTACT

0425 272 155
joanne_barr@bigpond.com

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Marie Larkin

Marie Larkin

CREATIVE PRACTICE

Marie Larkin is a fine artist creating mixed media paintings and drawings. Commissions accepted.

ARTIST STATEMENT

I’ve always been drawn to things aged, weathered or vintage that tell a story through the marks left by use or time. Like rusting tin sheds and neglected exterior walls and fences, or driftwood and peeling bark, or the old furniture and found natural and man made objects I have collected and placed about our home, a history is sensed through the patina of colours, marks and remnants of previous coats of paint.

Creating a rich ‘history’ of marks informed by my love of well worn textures, is the driving element that underpins my current explorations. I strive to create paintings with an engaging balance, abstract in structure yet organic in my choice of colors, mark making and layered techniques. Each mark and application of colour leads me to the next in my creative path from beginning to the completion of a piece that for me is genuine and has integrity. I build layers in a process that is both additive and subtractive, beginning ‘in the moment’ with less intent as I apply paint and pigments and make marks with brushes and a variety of tools into the wet surface, to build texture and depth. I erase, scratching, sanding, scrubbing. I add, washing, making marks and lines. I conceal and reveal. The process that allows the expressive forms to emerge is both accidental and purposeful. There is an exciting element of anticipation and surprise process as I reveal marks I remember making and loved or discovering ones I had forgotten were there.

Having been a representational artist for over twelve years, removing the recognisable object or subject from my work has allowed me to explore structure and tension. Tension between the muted colors, subtle textures and marks with that of the bold forms that conceal and in turn reveal nuances in my paintings. I seek to create pieces that have a fundamental strength and stability while simultaneously having a sense of the transitory, drawing attention with a bold statement, but inviting a lingering, intimate contemplation through the whispered ‘history’ of ‘older’ marks revealed.

BIO

Marie Larkin is an Australian artist from rural NSW. She began her career as an artist in the 1990’s, making fine embroidered pieces revealing aspects of her daily life as a mother. She won both The Dame Nancy Buttfield Embroidery Prize and The Namoi Valley Cotton Fibre Acquisitive Award for her work. Her exhibition ‘Revealing Threads’ was the recipient of a 10,000 AUD Arts Grant, touring Regional Galleries in three states.

Marie began painting seriously after 2008 and spent some time exploring mixed media. Over the past twelve years she has earned her place as one of Australia’s most successful Lowbrow artists with a substantial global following of fans and collectors. She has exhibited in both group and solo shows with galleries such as Corey Helford Gallery and Copro Nason in Los Angeles, Modern Eden Gallery in San Francisco, Urban Nation in Berlin and AFA Gallery in New York. Her work has been published in leading art journals worldwide.

CONTACT

0428 662 243
marie@marielarkin.com.au
DM Instagram : @marielarkin

Kay Gray

Kay Gray

CREATIVE PRACTICE

Eco Printing

ARTIST STATEMENT

I have always been interested in plants, and their possibilities as medicine as well as their potential to dye fabric, so when I discovered that leaves could print on fabric I was fascinated. The last five years have been a journey of experimenting with various leaves and fabrics. I love that I am able to grow most of the plants I print with.

CONTACT

0402 770 556

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Jacqueline King

Jacqueline King

CREATIVE PRACTICE

Maker of dreams in glass. Utilising cold glass and warm glass techniques including copper foiling, leadlighting, stained glass, kiln formed glass and flameworked glass.

ARTIST STATEMENT

As a self taught glass artist who gathers inspiration from the wildish place between sleep and waking, I attempt to create what comes to me with no idea how sometimes...just faith and gratitude that my hands and mind continue to assist me to create what is seen or felt. My artistic vision is the exploration of the fragility & diversity of life, one aspect being our natural environment & the other in the more human realms of healing from trauma.

BIO

My work is shipped carefully all over the world and is featured in Best of Worldwide Glass Artists Vol 1, International Contemporary Master Vol VII. My work is held in regional commercial galleries and collections both private & public including the Dax Collection in Melbourne, the world’s 3rd largest collection of work by those who have experienced trauma.

Publications featuring my work and/or my story include:

Best of Worldwide Glass Artists Vol 1

International Contemporary Masters Vol VII

Australian Art Collector Magazine & Australian Artists Magazine

'In Touch' - 40 women artists of the Caldera

'Sharing the Un-shareable' Education Centre Against Violence NSW Government

Jacaranda Project Manual

National Rural Health Alliance Partyline #43

Awards include the Caldera Fellowship Award for Tweed Shire Council & Essential Energy in 2012, People’s Choice Award in artVision Victoria 2012, Highly Commended in the prestigious Mortimore Prize plus numerous smaller awards including the Bentley Art Prize NSW, Tenterfield Show NSW.

Invitational guest presenter for National Rural Health Conference Adelaide & Arts Activated National Conference Sydney.

Commercial Galleries/stockists with my work when available currently include

Sea Silks Gallery Ballina NSW

Coldstream Gallery Ulmarra NSW

Artists' Collective Studio Tenterfield NSW

Make It Tenterfield NSW

CONTACT

Via website or social media

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Lisa Marple

LISA MARPLE

CREATIVE PRACTICE

I am a mixed media artist and artisan creating artwork, jewellery and sculptural pieces.

ARTIST STATEMENT

I am continually fascinated by the innate beauty and potential of my sometimes unconventional materials, experimental techniques and the ability of my art making to tell stories upon a canvas.

Viewers of my work describe it as ethereal, magical and rich in texture and detail. I have been an artist since a small child when I "made do" with the materials I could find around me and manipulated them into objects and artworks which I found to be beautiful and full of meaning. I am largely self taught and for more than thirty years have mapped my own journey of experimentation which lead me into ever new fields of creative expression.

My artwork is for an audience which appreciates the artist who strives to be authentic, skilful and true to representing their unique vision of the world.

BIO

2021
Lisa Marple – Artisan and jewellery pieces online

2019
“Elemental” Solo exhibition and artist led art making workshops at “The Link, Ginninderry”, Canberra
Solo exhibition at Café Dolcetto, Yass

2017
“Tryptych” Exhibition at Strathnairn, Canberra

2016
“The Red Thread” Solo Exhibition held at the Yazzbar, in Yass

2015
Creative Arts Exhibition at Yass Public School Artist Collaboration

2014
“My Dog Is A Piece Of Work” Exhibition

2012
“Chrysalis” Solo Exhibition at the Anthony Rose Gallery, Yass

“Clonakilla” Murrumbateman Winery Exhibition & Meet the Artist talk

2011
“Winter” Group Exhibition in Binalong Exhibition Space
The Yass Arts Trail Open Studio Exhibition

2010
“Ten” Group Exhibition at the Anthony Rose Gallery, Yass
The Yass Arts Trail Open Studio Exhibition

2009-2011
Private art classes for adults and children from my studio

2009
Yass Council Collaboration “Artspace in the Park” Program
“Makers” Exhibition in Gundaroo
Ryde Art Exhibition

2008Open Garden Scheme Red Cross Artist Collaboration Exhibition at “Weetalibah”

2007
“A Collection of Whimsy” Solo Exhibition at the Anthony Rose Gallery, Yass

2006
Paper Dolls Artists Group Exhibition

2005
Oddfellows Hall Gallery, Yass, Inaugural Exhibition
Featured artist at Oddfellows Hall Gallery

2003-2016
Permanent featured artist at the Anthony Rose Gallery

2002
Group Art Exhibition at Dubbo Artspace

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CONTACT

lisa.marple@outlook.com
0438 347 911

Tania Hartigan

tania hartigan

CREATIVE PRACTICE

Paper Maker, Lino Printing, Landscapes, Portraits.

ARTIST STATEMENT

Tania Hartigan is a woman of the land with great knowledge of bush foods and owner of ‘The Artshack’ at Wallabadah, a paradise with deep history in its soils. She grew up in Woolbrook and belongs to the Gamilaraay people with family ties connecting her to Barraba, Quirindi and Gunnedah in the New England North West. Tania grew up surrounded by family and strong role models, with grandparents who always put family first, aunties and uncles that contributed her growth and cultural knowledge.

Those same priorities of a tight knit family have been instilled in Tania, she started her family tree as a young girl and has been adding to it ever since.

“I love organising family reunions, I am moved to inspire my kids, nieces and nephews to keep their family close,” she said.

Tania uses these bonds as inspiration, capturing family portraits in pastels. Amongst her other inspirations, she describes herself as being earthy, connected to country and all it’s whispers of history and life. ‘The Artshack’, Tania’s farm, is her happy place,

“It feels like equal part luck and fate that I ended up here. The terrane the country the trees the ruggedness of the land felt instantly like home.”

Tania loves to be immersed in the landscape, around the gum trees and native plants and lively nature. While on a walk around her property, she discovered evidence of sacred sites that is evidence Gomeroi people have travelled through and lived there for thousands of years. Tania says,

“We all look, but we don’t see. Art has taught me to slow down and take in the little details that slip past you when life is at full pace.”

Tania loves working across the board with mediums, painting is her go to and getting lost in the tones and hues. She also has a talented hand for portraits, print making and weaving.

BIO

2021
5 Friends Exhibition, Sold 3 paintings + 2 Commissions, ArtShack@Wilgabah

2018, 2020
Sunflower Exhibition, Raise Funds for Fire brigade Quirindi

2007 - 2014
Art & All That Jazz Exhibition, First Place -Portrait Wallabadah

2015
Kootiganal Art Exhibition, First Place Oil/Acrylic, Kootingal

2016
Colours of Autumn, First Place Print making, Bendemeer

2010 -2015
Currububula Art Show, Sale of paintings Currububula

2010 - 2018
Frost Over Barraba, Art sales Barraba

CONTACT

taniarod@bigpond.com

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Kate Owen

Kate Owen

CREATIVE PRACTICE

I live in Northern NSW and work from my purpose built studio that sits a few minutes walk from the front of our house surrounded by beautiful views of undulating farming country. It is a perfect creative oasis where I paint daily. I am inspired by any number of things but my work definitely leans toward the organic shapes found in nature. Plants provide a perfect balance of colour combined with line in unpredictable and surprising ways. I absorb everything and use the impressions of my memories to inspire the work. I prefer to work on canvas and use acrylics in order to work quickly and intuitively capturing spontaneous gestural marks. Working in this way the outcome is never apparent from the start, the piece takes on a life of its own as I go with each mark informing the next and dictating a certain path. I am continually excited by colour combinations and fascinated by line using graphite, pencil and oil stick and scratching back through layers of paint to add dimension. Collage is a favourite, which I find incredibly therapeutic and this more controlled part of the work satisfies my need to arrange forms for a visually pleasing aesthetic.

ARTIST STATEMENT

Each time I walk over to the studio I try to leave expectations behind so that when I start I am open to possibilities. The outcome is not so much the aim as is the journey to a resolution, a series of marks shapes and colours that form an experience that resonates with me. Each work serves to teach me that I have more to learn which keeps me coming back. My work finds resolution most often in abstract florals, colourful forms and lines that assemble to suggest unruly bouquets. I recognise these as interpretations of elements I see around me, most often at home especially on my walks. Prickly pear growing up along the roadside, weeds and brambles entwined in the fence line, a little pop of colour from a wildflower, these things make up my vocabulary of paint. I use a variety of media in colour, layers and textures to express my internal landscape, which is made up of all the emotions associated with my everyday life. My visual culture is vivid and joyful with the intent to enchant the viewer and inspire optimism.

BIO

2021

Art Lovers Australia Annual Prize - Hidden Springs - Shortlisted

2020

Inverell Art Gallery Art Prize - Open Section 1st Prize

Art Lovers Australia Annual Prize - Secret Garden II - Shortlisted

2019

Aspects Art Show Goondiwindi - Contemporary Art Prize

Aspects Art Show Goondiwindi - Allens Pharmacy Acquistition Prize

2018

The Inverell Art Gallery Art Prize - Open Section 2nd Prize

Aspects Art Show Goondiwindi - Goondiwindi Engineering Acquistition Prize

The Inverell Art Gallery Contemporary Art Exhibition - Fresh Acquistion Prize

2017

Aspects Art Show Goondiwindi - Drawing and Graphics 1st Prize

Aspects Art Show Goondiwindi - 2 Highly commended

2016

Aspects Art Show Goondiwindi - Highly commended

QUALIFICATIONS

2010 - present

Aspects Art Show Curator

1987

Diploma Fashion Design KVB College of Visual Communication

CONTACT

hello@kateowenartwork.com.au

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Tim Godwin

Tim godwin

CREATIVE PRACTICE

Songwriter, Producer, Session Drummer, Singer, Guitarist, Synth/Sound design, and Filmmaker

artist statement

I've been involved in music for my whole adult life. Predominantly as a recording session drummer, front man of the Sydney band 'The Social Norm' and more recently releasing my own music under my own name 'Tim Godwin'.

I also have experience in using music in healthcare, in particular as a adjunct to sedation in intensive care and pioneered 'Music and Memory' for patients with Alzheimer's disease.

I self produce the majority of my work in my home studio in Uralla as well as on location.

Link to all Tim’s music: linktr.ee/timgodwinmusic

CONTACT

0403 412 248
timothy.godwin45@gmail.com or use the form below.

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Jim A. Barker

Jim A. Barker

CREATIVE PRACTICE

Photography

FOCUS

Photography and visual arts. Spanning both digital and film, my artistic focus is on portraiture, architecture, street and landscapes, while my professional activities include portraiture & headshots, architecture & real estate, weddings & events, food & beverage and commercial.

ARTIST STATEMENT

If Sontag is to be believed, "the camera makes reality atomic": Meaning that through photography, the world becomes a series of unrelated, freestanding particles. Except, that's not how I see it. The world through my photography is a series of interrelated, emotionally-laden collections of pixels and inks. As a flâneur, I observe, I document, I seek to interact and I seek to relay not just my thoughts and feelings associated with the world and its inhabitants, but to invoke strong and strange feelings in those who view my work. As I see it, the world and its inhabitants are a series of particular particulates arranged via patterns, connected both knowingly and unknowingly through this thing we call life. I seek to float above, beside or within these patterns and reflect them back upon the viewer, to stimulate, provoke and elicit emotion.

Recognition

2020 "Doortraits", online exhibit in partnership with Lifeline
2020 Highly Commended, The Mono Awards - People
2020 Highly Commended, Australasia's Top Emerging Photographers - Documentary
2020 Highly Commended, Australasia's Top Emerging Photographers - Portrait
2019 Commended, Photographer of the Year - Black & White

CONTACT

0418 163 770

hello@twelvepoints.photography | @thejimclasshero

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Shae Duncan

Shae Duncan

CREATIVE PRACTICE

Dance

ARTIST STATEMENT

Yaama everyone my name is Shae Duncan and I'm a proud Gamilaraay woman from Moree NSW. I am a graduate of NAISDA Dance College with a Diploma in Professional Dance Performance. I would love to start sharing and creating dance and performance within our community here in Moree, and provide opportunities to community for self development within families for learning, healing and growing.

Recognition

Throughout my dance career, I've explored many styles of dance from traditional cultural dance, contemporary dance, jazz, ballet, and more. Throughout my journey as a dancer I've had the pleasure to tour parts of Australia with an interactive kids show "Datiwuy Dreaming" in collaboration with NAISDA Dance College, Musica Viva and cultural tutors from North East Arnhem Land to offer cultural awareness in schools.

Over many years I've had the privilege to work for Beyond Empathy as a teacher/performer and choreographer and be presented in Festivals such as "Brolga Festival" and "Festival Of The Brave". With many thanks to NORPA I've had an amazing opportunity and experience to perform internationally within Indonesia at festivals such as the "Gawai Festival" and "Indigenous Celebrations Festivals" and much more.

CONTACT

shae.duncan@yulugimarumali.com.au

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