Richard Moon

Richard Moon

Richard Moon is an artisan silver-worker and jewellery manufacturer based at The Makers Shed, Deepwater.

He sources design inspiration and materials from all things retro, recycled and re-purposed. Wherever possible, his work is created using sustainable and recycled materials and techniques.

Richard co-designs original pieces for customers with design ideas; remodels existing pieces; does jewellery repairs and holds regular silversmithing workshops.

CONTACT

80 Tenterfield Street, Deepwater, NSW, 2371
p: 0450 039 320
e: mickndick@bigpond.com
w: themakersshed.org fb: https://www.facebook.com/richardmoonwearablesilver

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Michael Burge

Michael Burge

CREATIVE PRACTICE

An author, journalist, publisher, bookseller and artist, Michael has edited and written for Guardian Australia, Fairfax Media, Australian Community Media, Intermedia, Margo Kingston's NoFibs, United News & Media UK, News Corporation and The Journal of Australian Studies.

His crime and historical novels explore prejudice and resilience in rural Australia.

He is a board member of the BAD Sydney Crime Writers Festival and a member of the Australian Crime Writers Association.

CONTACT

80 Tenterfield Street, Deepwater, NSW, 2371
p: 0400 977 816
e: burgewords@bigpond.com
w: https://burgewords.com/ fb: https://www.facebook.com/MakersShed/

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Jim A. Barker

Jim A. Barker

CREATIVE PRACTICE

Photography

FOCUS

Photography and visual arts. Spanning both digital and film, my artistic focus is on portraiture, architecture, street and landscapes, while my professional activities include portraiture & headshots, architecture & real estate, weddings & events, food & beverage and commercial.

ARTIST STATEMENT

If Sontag is to be believed, "the camera makes reality atomic": Meaning that through photography, the world becomes a series of unrelated, freestanding particles. Except, that's not how I see it. The world through my photography is a series of interrelated, emotionally-laden collections of pixels and inks. As a flâneur, I observe, I document, I seek to interact and I seek to relay not just my thoughts and feelings associated with the world and its inhabitants, but to invoke strong and strange feelings in those who view my work. As I see it, the world and its inhabitants are a series of particular particulates arranged via patterns, connected both knowingly and unknowingly through this thing we call life. I seek to float above, beside or within these patterns and reflect them back upon the viewer, to stimulate, provoke and elicit emotion.

Recognition

2020 "Doortraits", online exhibit in partnership with Lifeline
2020 Highly Commended, The Mono Awards - People
2020 Highly Commended, Australasia's Top Emerging Photographers - Documentary
2020 Highly Commended, Australasia's Top Emerging Photographers - Portrait
2019 Commended, Photographer of the Year - Black & White

CONTACT

0418 163 770

hello@twelvepoints.photography | @thejimclasshero

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Karen Munster

Karen Munster

CREATIVE PRACTICE

Karen is a creative artist working in acrylics, watercolour, pen and wash, linocut printing and mixed media. She paints a wide variety of subjects and themes.

ARTIST STATEMENT

Creating artworks is therapy for me. It’s something I really enjoy and find it very relaxing but also challenging. I like to paint subjects that resonate with me - a beautiful landscape, an inspiring scene, a loved family pet, an interesting face. There is nothing more satisfying for me as an artist than to find a new home for my artwork where it can be appreciated and enjoyed.

BIO

Karen has had no formal training but has benefitted from many informal classes and workshops. She has exhibited regularly at Redland Yurara Art Gallery and Studio, Thornlands Brisbane, Redland Art Gallery, Cleveland Brisbane and more recently Glen Innes Art Gallery where she was highly commended at the Glen Archies Portraiture Competition in 2019 and 2021

Solo exhibitions

September 2017

‘Exhibition of Works’ at Redland Yurara Art Studio and Gallery, Brisbane QLD

Joint exhibitions

August 2018

‘We Three’ at Redland Yurara Art Studio and Gallery, Brisbane QLD

July 2019

‘The Nature of the Trio’ at Redland Yurara Art Studio and Gallery, Brisbane QLD

October 2021

‘A Time for Colour’ at Glen Innes Art Gallery, Glen Innes NSW

CONTACT

kjmdoobert@gmail.com
0438 243 885

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Lucy Munro

Lucy Munro

CREATIVE PRACTICE

Writer, weaver, designer, digital media creator

ARTIST STATEMENT

Lucy Munro lives amongst the poplars and the pear trees in the rural highlands of Northern NSW; a pen in hand, and a cowboy and sausage dog by her side. She is deeply affected by the patterns, colours and changing faces of the landscape across the seasons, and her office is in a hilltop paddock with the cows. Lucy has an Honours in Graphic and Textile Design from UNSW and is currently studying a masters of writing.

BIO

Lucy graduated with Honours in Design (Graphics and Textiles) from UNSW in 2018, specialising in pattern creation and fibre weaving. She spent six months studying at the National Institute of Design in Ahmedabad, India during this time, and was exposed to the incredible world of colour and pattern that exists there. Her rug and fabric designs were selected by Master block printer, Sufiyan Khatri to be commissioned and printed at his studio in Bhuj. Lucy also interned with fibre artist Harriet Goodall in Robertson, learning intricate weaving techniques. Lucy worked at the online publication The Planthunter from 2017-2020, editing, creating digital content and penning essays, interviews and feature articles about the complexity of interactions between plants and people. In this role, she interviewed some of the best garden designers, creatives and thinkers from across Australia and the world, including Kate Cullity, Juan Grimm, Carolyn Robinson, Charles Massey, Lalage Snow and Alice Fox. She has also spoken on Radio National with David Astle and Casey Bennetto about some of these works. Lucy’s writing has appeared in Belle Magazine, The Planthunter, Smith Journal, New England Magazine, Art:Place exhibition, and most recently, amongst garden writer and historian Trisha Dixon’s book Spirit of the Garden, published by the National Library of Australia. Lucy is currently completing her Masters in Art (Writing) from the University of New England.

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CONTACT

lcmunro@gmail.com

Brigitte Brummell

Brigitte Brummell

CREATIVE PRACTICE

Pottery and ceramics

ARTIST STATEMENT

For as long as I can remember I have craved and explored creative outlets in many forms and mediums. My most recent love affair and favourite so far is with pottery. I love the process of creating pieces for the home and garden that can be practical or purely decorative. I love how raw and organic pottery is in every aspect, from beginning to end. I love how deeply satisfying it is to share the creative practice and the finished pieces with others. Late nights at pottery have become a regular part of my life now and have allowed me to play, learn and truly enjoy the time I have with my hands in the clay..

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CONTACT

brig.spencer@hotmail.com
0431 056 177

Trudie Gough

Trudie Gough

CREATIVE PRACTICE

Chainmailling

Using fencing wire, craft wire, & a pair of pliers, I create a range of dark age inspired garments and jewellery. Out of the 19 different chaining practices I find Byzantine Weave and Sweetpea are fun to do, 4-1 is more versatile. I create and perfect my craft into pieces that I love. I welcome commissions.

ARTIST STATEMENT

I am Welsh with Anglo-Indian origins, raised in a gypsy inspired lifestyle. Origins alone should explain my passion for chaining, plus it was an easy to cart around. My inspiration is my historical link with my heritage. From the heaviest chain shirt, the neck chain, your trouser chain, to the piece on your finger, I find focus, passion and a creative mediative quality associated with the practice of chain mailing.
I sometimes believe I was born in the wrong century!

CONTACT

shantitru@hotmail.com
0413 032 353

Tony Grant

Tony Grant

CREATIVE PRACTICE

Digital media

When taking photos I strive to include elements which are relevant to the premise of the picture so that, as much as is possible, the picture speaks for itself. By careful choice of location, lens and composition, I try to only include what is desirable while excluding what is not. I always consider my subject in relation to its background and the quality of light that falls onto it.

For ambient light portraiture, I first look for the best light and then the background, only then do I place the subject. When shooting Landscapes I like a strong foreground element. Using a very wide lens and getting in close achieves this. I photograph many other subjects.

ARTIST STATEMENT

It was 1983 when I first peered through the lens of an SLR. I loved the way you could selectively focus on an object and isolate it from its surroundings. I fell in love with photography in that very first moment.

In 1986, employed as a Lab Technician and Printer in a photolab. I had access to a full colour lab as well as my own B&W darkroom. During this period, I devoured and inhaled photography, teaching myself the art of taking and producing pictures. By 1988 I was working as a press photographer. In the 1990s I went freelance. I am still learning the art.

BIO

I am self-taught. I have had over 30 years of photographic experience firstly as a Lab Technician and Printer, then a press photographer, and now a freelance photographer.

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CONTACT

tonygrantpix@gmail.com

Adele Chapman-Burgess

Adele Chapman-Burgess

CREATIVE PRACTICE

Visual arts

To provide an awareness and interest to revive traditional values and cultural practices through workshops

ARTIST STATEMENT

I have always had an interest in art and I have been painting on and off all my life. My paintings are about my many journeys and the many hats I wear – it is my spiritual strength and learning more about my family connections to the places, we visit. My spirit has grown stronger and wiser over time (55 plus years) as I continue to gain more knowledge of my Aboriginal cultural heritage.

‘Connection to country is inherent, we are born to it, it is how we identify ourselves, and it is our family, our laws/lore, and our legacy’ …My art/weaving takes on many forms. I bring a modern expression to an ancient custom. Despite significant change and diversity, art retains an underlying unity of inspiration—the land and the peoples’ relationships with it. It is simultaneously connected to the past whilst engaged with the present. My art/weaving is engaging with the world through actions which are lively, positive, political, social and creative. I love the way tasks overlap with memories. I enjoy painting and weaving for healing, to feel good and to connect to my unique Aboriginal culture. My paintings and weaves are merely a new form incorporating the classic elements of Aboriginal Life. They state a person's relationship to those around them, to the land and to the Dreaming. They also represent a new context of interaction between Aboriginal and western societies – as a First Nation artist I need to be able to ‘walk in two worlds’, I need to be two ways strong, strong in traditional culture and strong in the new ways – contemporary ways.

Through modern art and the knowledge holder of cultural practices of weaving I am able to introduce and pass on my culture to my community and the world beyond. I am an artist who loves to use contemporary colours in my artworks and weaving. I love to share my cultural practices with friends and family it keeps my spirit strong to see the joy my art/weaving brings to them. I use a wide range of modern materials and techniques to create contemporary works of art. My inspiration comes from creation, the old people, the inner spirit, my family connections, my life journey and what makes me happy.

BIO

A proud Ngarrabul/Gamilaraay/Yuwaalaraay/Kooma yinaar from the New England area of NSW with 30 years in Aboriginal Education

EDUCATION

• Masters in Indigenous Language Education (MILE) University of Sydney • University of Sydney B.A.(Hons). Dip. Ed • University of Sydney. Assoc Dip (Early Child Care Studies

PROFESSIONAL EXPERIENCE

Creative Practice

• Partner in Quindalup Aboriginal Art and Photograph • Aboriginal Creative Workshops for schools and communities

Teaching

Current

• TAFE NSW Department of Education and Training – Glen Innes/Inverell

Aboriginal arts and Cultural Practices, Aboriginal Family & Kinship, Aboriginal Cultural Values, Aboriginal Art, History 1, Aboriginal Art History 2

Previous

• TAFE NSW Department of Education and Training - Aboriginal Health and Education • Emmaville Central School • Glen Innes High School • Glen Innes Public School • St. Josephs Convent School - Aboriginal Educational Aide (4 year)

EXHIBITIONS

Group Exhibitions

2018
New England Regional Art Museum, Armidale Myall Creek and Beyond

Aboriginal Cultural Centre and Keeping Place, Armidale Bulaar Yinaa’s Gimabi-li -Two Women to Make

2017
Inverell Art Gallery NAIDOC exhibition Our Languages Matter

Aboriginal Cultural Centre and Keeping Place, Armidale For the Love of Culture and Country

Inland Café, Tamworth Ngaya-gal Gimubi-Li -Our Mob Creates

2016
Aboriginal Cultural Centre and Keeping Place, Armidale Making Old Markings New

Art on the Corner, Glen Innes Recognition

COLLABORATIVE PROJECTS AND WORKSHOPS

2019
Artmaking and stallholder Lift Off! Festival of the Wind, Glen Innes

2015
Glen Innes Town Mural – working with students from the Glen Innes High School

COMMISSIONS

• Glen Innes Lands Services • Armidale Police Department • Inverell Child Care • Glen Innes Aussie Kindies • Glen Innes High School

CONTACT

0412 923 500

James Haselwood

James Haselwood

CREATIVE PRACTICE

Professional musician

ARTIST STATEMENT

James Haselwood is a highly active live and recording Bass player within the Australian music scene. First arriving in the broader spotlight as a member of the Dissociatives (featuring Daniel Johns[Silverchair], Paul Mac and the Presets) in 2005. From there his career has extended to working with a diverse spectrum of artists in Australia and internationally including: Natalie Imbruglia, Mia Dyson, Dan Akroyd, Jon Cleary(New Orleans), Alex Lloyd, Tina Harrod to name a few. The Kev Carmody live DVD recorded at the State Theatre featuring Paul Kelly another highlight. After living and performing in NYC James returned to Australia to take care of bass duties on the 2014 series of The Voice Australia featuring Will.i.am and Kylie Minogue. Following that James spent several years touring and recording with Kasey Chambers. Recorded Bass on the soundtrack for the Emmy award winning netflix series “Beatbugs” Currently touring and recording with Tim Minchin and about to pick up the 2021 “back” tour

BIO

Bachelor of contemporary music (Southern Cross University) 20 years performing nationally and internationally . Recording for film and television. Writing music for documentaries.

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CONTACT

jhaselwood@mac.com
0412 171 294

James McCormick

James McCormick

CREATIVE PRACTICE

Forged metal

Working with metal making fireplace tools, forged steel wood racks, forged cheese knives, & by purchasing Cutlery items I transform them into beautiful unique deer antler handled items . All are versatile items to be used and also admired. Utilising dropped deer antlers

ARTIST STATEMENT

At first it was utilising dropped deer antlers. I was asked to make some fireplace tools, and through word of mouth it has grown into a profitable small business Mic's Fire Tools and Knives. I enjoy & am proud of my artform.

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CONTACT

0427 321 380

Abigail Sparks

Abigail Sparks

CREATIVE PRACTICE

I am an art educator and artist with an interest in community art projects, particularly ceramics.

My creative practice is based on my work as a visual art teacher where I facilitate student creativity and projects in a range of art forms. Collaboration with community groups and project work based around well-being and creativity with purpose is my passion. My work as a ceramic artist is developing around exploring sculptural hand-built forms as well as domestic ware and thrown forms.

ARTIST STATEMENT

My formal art study began at Sydney University where I studied Fine Arts in the early 1990’s. My Grad Dip in Visual Arts Education and a TAFE certificate IV in Ceramics came after that. My fascination for art history and the art world has been stimulated through travel and hundreds of professional development events in visual arts teaching. My own practice has been facilitating my many exceptional students to high level of achievement in their HSC work. My roles include president of the Glen Innes Pottery Club, Co-ordinator of Fringe Trash Art Festival, Curator of the annual Art Impress! Art Exhibition. Community arts projects include “Precious Flora”, Wytaliba creative recovery project, Naidoc “Because of Her We Can” Project, Art in the Heart Ceramic Mural amongst many others. Recent exhibitions and prizes include “Claytime” Ceramics Exhibition and the NSW Teachers Federation Teachers Art Prize.

CONTACT

sparkyabs@hotmail.com
0447 269 274

Allana Price

Allana Price

CREATIVE PRACTICE

Ceramic creator

My nan has been a potter for many years, and I’ve always been interested in trying it, so when I saw a course running, I decided to give it a go. I am in the process of experimenting with different techniques and forms to find me niche. I have found an interest in the ancient form of pit firing, which give each piece a unique finish. The idea of different natural waste can give certain colours and textures to a piece excites me. I love being outdoors and a part of the nature, Pottery is an extension of nature and getting to work with clay brings an enormous satisfaction into my life. Clay is a versatile medium that allows me an endless possibility from of creation. Not only do I do pottery for the enjoyment I do it for the peace it brings me, with the busy life I live it is my own space to explore and enjoy, and if my pieces bring joy to others, it is a bonus.

ARTIST STATEMENT

Allana has found an enjoyment creating hand-built work, from sculptures, ornaments, to coil or slab-built vessels. She takes inspiration from her surroundings. Even though she has only been creating for a short time, she won grand champion at her local show for her work, sold 8 pieces at a local exhibition, won people choice in a local pop-up window exhibition, had 3 commission jobs and sold over 60 pieces locally. Allana Price is a very busy mother of 3 young children and runs 2 business on her family property near Emmaville. She was brought up on a property and loves the feeling she gets from being out in the bush. She fell deeply in love with ceramics after taking a 6 week course, she now has been creating just shy of 2 years. She has only completed an additional 6-week course within this time. Allana collects pieces from nature and takes photos to use as a creative stimulus. She creates her pieces at the local pottery club, which she is co treasurer of with her friend and fellow creator Brigette. They are always looking at opportunities to expand or knowledge and try new techniques, with hope to create an online side business as well as creating commission pieces for the community.

BIO

Grand Champion - Glen Innes Show

Group exhibition “Clay Time”
Glen Innes Art Gallery Incorporated.

Bake Hose Workshop Facilitator- creating domestic ware for the Wytaliba community which was devastated by the bushfire.

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CONTACT

0428 774 101

Robyn Sim

Robyn Sim

CREATIVE PRACTICE

I classify myself as an 'emerging artist' who does commission work with Zentangles. I also dabble in photograph, pottery, watercolour an art in general

ARTIST STATEMENT

I have often dabbled in artistic practise with little or no training but as I grow older I am finding many different media to pay with. I have become enamoured of 'Zentangling' over the last two years and have been selling may pieces on line and at local markets, and taking on commission work in this style. I am currently taking courses in pottery and artist practice and have completed a digital photography course.

BIO

I have participated in two exhibitions - the Glen Innes Art Galley Christmas exhibition (2020) and the CWA Guyra Evening Group Exhibition (2021). I have entered my photography at the local show, earning 1st, 2nd and high commendation award. I have completed a hand building pottery class for beginners with Max Powell (2021) and am currently studying wit Tanya Robertson-Cunninghame, who is conducting an ongoing art course covering all the basic. I completed a digital photography course with Steve Wright at the Glen Innes TAFE (2015)

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CONTACT

sim-004@hotmail.com
0467 586 319

Sarah Fletcher

Sarah Fletcher

CREATIVE PRACTICE

Pencil on paper, black and white and colour drawings.

ARTIST STATEMENT

Sarah is a relative newcomer to the art world, but has always had a love of creativity, leaving school to study Graphic Design, during which she realised she had a passion for drawing, particularly portraiture and what could be achieved with the simplicity of pencil on paper. Her early works won awards, and caught the eye of Lloyd Hornsby, curator and owner of Gawura Gallery to encourage her to develop her art practice. In a short period of time, Sarah’s work is in high demand, being one of the sought-after artists at Gawura Gallery.

Sarah’s work is influenced by the Rural New England Region, having grown up on the family farm in Glen Innes. With a medium of pencil, and a focus on realism and attention to detail, she has a goal for each artwork to capture the character, emotion and story behind the subject. Beginning primarily in black and white, she has begun exploring colour and how that can add depth in bringing an artwork to life.

BIO

Certificate III Graphic Design 2015. WINNER GLEN ARCHIES 2017; CHAMPION ARTWORK GLEN INNES SHOW 2017, 2018 & 2019; FINALIST HORNSBY ART PRIZE 2018; FINALIST ROYAL EASTER SHOW 2018 and 2019; SECOND PRIZE GLEN INNES SHOW 2020; Acquisitions Gawura Gallery; Art Sales Australia, Germany, Switzerland, Europe, England. Exhibitions Glen Innes Art Gallery 2017, 2018 and 2019; Gawura Gallery 2018, 2019 and 2020; Hornsby Art Prize 2018; Sydney Royal Easter Show 2018 and 2019;
Ongoing Exhibit Gawura Gallery 2020-21

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CONTACT

Enquiries via Gawura Gallery
info@gawuragallery.com
www.gawuragallery.com

Lloyd Hornsby

Lloyd Hornsby

CREATIVE PRACTICE

Aboriginal Artist (Yuin man from Wallaga Lake)

ARTIST STATEMENT

Lloyd Gawura Hornsby (b.1947) Koori, descendent of the NSW Aboriginal Yuin People. His passion and talent for art manifested in childhood and developed while in his adolescence. In fact he wooed his childhood sweetheart Wendy (now his wife of 53 years) with gifts of paintings and carvings. Lloyd never paints on location; he uses knowledge and observation as a basis for finished paintings. His artwork comes together using the traditional dot technique used widely by the northern Indigenous artists. Lloyd’s strong knowledge base of sketching and drawing are evident in the detail with his bold use of colour to finish the experience. At the age of 73 my learning is continuing today through the discovery of Aboriginal culture and life. Through the passing down of stories, our history and life experiences, all are adding to the richness of my understanding. This knowledge is the basis to all of my artworks.

BIO

Bachelor of Australian Indigenous Contemporary Art – Griffith University 2009; Diploma Commercial Art – Queensland College of Art 1963; Diploma in Management TAFE 1983; Cert 1V Workplace Trainer and Assessor Brisbane TAFE 2010; Practicing Professional Artist – 2005 to current 2008 Part of the team that did a 11mt x 7mt instillation outside the State Library, Brisbane; 2009 completed a Bachelor of Australian Contemporary Indigenous Art at Griffith University; 2015 Wrote an art therapy program for Aboriginal prisoners in Arthur Gorrie and Woodford; 2016 Australia Day Award for Art and Culture; 2017 Built our own Art Gallery – Gawura Gallery in Glen Innes; 2020 Invited to exhibit at the Biennale in Europe/Cannes Film Festival; 2020 Artwork chosen for the United Nations report on the treatment of Aboriginals in Australia; Raised $250,000 through art programs for research into Indigenous Heart programs (closing the gap) for the Heart Foundation; 2021- Have been invited to exhibit artworks in four major galleries across Europe. Solo Exhibitions: 2007 Queensland State Library; Cooroy Butter Factory – 2006 collection; Pine Rivers Regional Gallery – My Stories; 2008 Gawura and Friends – Graydon Gallery; Queensland State Library; 2009 Brisbane Convention Centre; Queensland State Library Road Show through Regional Queensland; Armidale Regional Gallery; 2010 Armidale Regional Gallery – 5 Masters Exhibition; Redcliffe Regional Gallery; Strathpine Regional Gallery; 2011 Townsville Cultural Centre; 2012 Stanthorpe Regional Gallery; 2013 Kempsey Indigenous Gallery; 2014 The HUB Caboolture; 2014 Pine Rivers Art Gallery; 2014 Stanthorpe Regional Gallery; 2015 The Coalface Gallery Moranbah; 2015 Armidale Keeping Place and Art Gallery; 2016 Graydon Gallery New Farm; 2016 The Coalface Gallery Moranbah

CONTACT

info@gawuragallery.com
0403 383 080

Carl Cree

CARL CREE

CREATIVE PRACTICE

Design, Digital Media, Literature, Music,
Visual Arts

12m x 9m workshop & studio, painting, canvas making, music rehearsal, engineering equipment/tools for steel sculpting and other projects. Designated room in house for computer, digital sound recoding, image manipulation, digital photography, and other associated activities.

ARTIST STATEMENT

I'm a 68yro, white, male OAP with a collection of physical glitches. I move a bit slow these days. Artists come and go like new model cars - bright and shiny for a while. Galleries, teachers, government arts administrator and arts departments remain. It seems to me that artists have been running a relay and passing on a baton since we were making prehistoric images on rock walls. I haven't drank alcohol or used any other mind altering drugs since Jan 1999. So? I don't do "drinks etc, and mingle, schmooze and be seen at exhibition openings, events. I prefer to follow my art practice at my own pace and whim.
Pretty well retired.....

BIO

CBHS Lewisham For 5 equivalent 1959; West Sydney Tech (Petersham) Electrical Fitter/Mechanic 1974; Blacksmithing via Tafe Qld, Jimboomba 1994, RADF Grant to take performance poets into Sir David Longlands Maximum Security Gaol 2002; Performance poet Woodford Folk Festival 2000/01; Redland Shire RADF Grant Assessment Committee 2003/04/05; Moreton Tafe Qld Multimedia/Design, Animation, Art History, Video Recording; Editing, Digital and Analog Audio Recording Editing 2004/05/06 inclusive; 2 exhibitions at Logan Gallery 2002 Ink on paper & 2007 large painted works; Commissioned wordsmith, Redland Shire Council Transit Centre Public Art Project Catalaba 2003-04. 2004-06, co-facilitated, with Jack Oudyn "Mind in Art" program for mental health consumers. Regional Art Prize Tenterfield 2001 & 2007; A few prizes at Inverell Gallery and a solo exhibition; Glen Archies Portrait Prize; 2013 co-organised & co-ran a 7 day artist camp at Breeza to artistically document the Breeza Plains during the first Shenhua Coal dispute. 2014 and ongoing radio presenter at 2CBD Glen Innes Tues nights 6-9pm, "Alphabet Soup". Glen Innes Severn Council commission sculpture "Balancing Rock" Wentworth and Grey Street roundabout.

CONTACT

zzccree@gmail.com
0447 465 188 (text first)

Marianne La Cour

Marianne La Cour

CREATIVE PRACTICE

Ceramicist and Painter

I create abstract landscape paintings and rustic Nordic inspired ceramics. Living in a rural community it’s hard not to be inspired by the nature around you. I also draw inspiration from my country of birth – Denmark. My practice is about place - a sense of place, a connection to place and the feeling of belonging to a place. It can be a psychical place, a place of dreams or a place in my heart. I love colours and I create colour combinations as reference to places and days. As a painter, I work by mark making, using movement and form and by layering of colour. I quite often incorporate texture into my paintings, and often paint a canvas over and over again. My ceramics are mainly home wares made from rustic speckled clay using a white glaze. The use of white is another reference to my Nordic heritage. It’s all hand formed, made with attention to detail and intentional imperfections. This gives the wares a gorgeous rustic and organic feel. Through my art I unite artistic impressions from two continents and cultures, which over time has fused and become my own unique style.

ARTIST STATEMENT

I grew up in Denmark spending most of my childhood holidays either on my grandparent’s farm or in the lovely town of Menton on the Mediterranean south coast of France. I migrated to Australia in my thirties to pursue a lifelong dream of living a creative life in relaxing and tranquil (or as we Danes would say ‘hyggelige’ ) surroundings.I star ted working with clay as a teenager and for many years ceramics were my only focus. I have always painted and can’t really say when it became more serious, but I participated in my first group exhibition in the late 90’ties and had my first solo exhibition of paintings in 2007. Alongside my ambition to create, I have owned and managed a café, a small art gallery, an art supply retail store, an art & craft shop and now an online art business. In 2017 I started teaching watercolour painting through local workshops, something I really enjoy doing. Most of my training has been through TAFE and by participating in workshops run by other artists. I have exhibited in group exhibitions since 1999 and held solo exhibitions since 2007. These days the internet has taken on the role of galleries, and I mainly show and sell through my own website or online galleries.

CONTACT

coloursongrey@bigpond.com
0427 325 582

Anita Stewart

ANITA STEWART

CREATIVE PRACTICE

Ceramicist and Potter

Clay is my primary artform. I have been moulding clay into pieces of art, functionality, & beauty for decades. My inspiration is far reaching, from my lineage of Romany Gypsies & English, and a teenager migrant arriving in Australia, discover a whole new world of landscape and people - the human face, all account for my creative practice. I take inspiration from contemporary culture & Expressionist painter like Mark Chagall. I love teaching and sharing my knowledge.

ARTIST STATEMENT

My upbringing, Romany Gypsy/English parents, a teenage migrant, and a young adult choosing the alternate life style of my father's ancestries, best describes my artistic life. The feeling of coming from a 'subculture within society', always the feeling of being on the fringe, constantly shows in the eccentric nature of my work. From a very young age I have been motivated by the need to create. I am inspired how I can express myself through art. I create to soothe my soul, to bring joy into other people's lives, and send my children out into the world. Discovering the medium of clay for the first time was like a duck discovering water. I've been working with this medium for over 20 years and I am still discovering new ways of expressing myself with the beautiful tactile medium. I love moulding clay into teapots, my English up bring, no doubt, bringing this art form of beauty and practicality to the community. For years with drawing and design, I could actually transfer my creative expression into 3D, putting the images on surfaces that people could use their everyday lives. I am always the student and the Clay is my master.

BIO

Fine Arts Fremantle Technical College 1982
Cert 4 Glen Innes TAFE

Awards
2006 Glebe Book Award at the
Sydney teapot show

2009 Koala Tea Award

Inverell Art Gallery Acquisition Award Prize

1996 The Them Roma Cultural Arts Festival in Lanciano Italy 1st prize for 2D arts works.

Solo Exhibition
2006 Many little teapots at Armidale Art Gallery

Group Exhibitions
Glen Innes Art Gallery Women of Colour

Art on the Corner exhibition

Sister city of Mosman Art Exchange

Crossing New England at NERAM

CONTACT

nitadot7@yahoo.com.au
0421 902 759

Tanya Robertson Cunninghame

Tanya Robertson Cunninghame

CREATIVE PRACTICE

Artist, Teacher, Drawing, Oil and Watercolour.

My themes are based on time, place & experience. I am environmentally inspired. My latest exhibition based on Water and Light was an escape from endless drought and fire. Painting for me is a problem solving, I have done it all my life, it is my safe place. Creativity is like capturing water in your hand, the more you try to contain it, the more it slips away. Creativity needs to be honest, don't pretend it is something that it is not.

ARTIST STATEMENT

Visual Arts has been a constant throughout my life. I commenced teaching Visual Arts in my early twenties, which hastened my own steep learning curve in gaining the necessary experience & qualifications. Creating art is about problem solving & that is the ongoing challenge.

BIO

Graduate Diploma in Education UNE Armidale 2007; Cert IV assessment and Workplace Training 2006; Dip of Arts Tamworth TAFE 1994; Art Cert Course East Sydney Technical College 1980-1981;

CONTACT

wattlebend@skymesh.com.au
0413 212 979